1st AC/Focus-puller: Nikita Shevtsov

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Cam Equip: KIRILLIN Camera Rental & Me

ARRI Alexa Mini
Blackline anamorphic
Laowa 12mm

Jony - Интро к альбому «Рядом»
director of photography
Vadim Nezrim
DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
...
Camera set:

1st AC/Focus-puller/Ronin: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental & Me
ARRI Alexa Mini
ARRI/ZEISS Super Speed MKii
DJI RONIN 2
director of photography. cinematography

Vadim Nezrim

DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
v Часов 12 снимали под дождем без единой палатки под Плейбек и технику
Около 5 переходов по огромной локации один из которых через мостик, фундаменты и лужу по щиколотку
Camera set:
The filming shift lasted about 20 hours, with one location being the pavilion
Approximately 70% of the time was filmed in a pool with artificial rain

1st AC/Focus-puller: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental & Me

ARRI Alexa Mini
Cooke s4
Angenieux Optimo 24-290

The shooting day lasted about 29 hours. We spent 90% of the time shooting outdoors in heavy rain. (We were not provided with any tents for equipment or playback). There were about 6 transitions between filming sets within a single large abandoned location outside the city. The two of us handled all the camera work (1st ac, 2nd ac, focus, dana dolly, DIT, playback). The camera, Cooke s4 set, Optimo 24-290, Dana Dolly (3 m), O'connor, x2 Flanders DM220, x2 mobile playback units, and an 8-piece intercom set
director of photography. cinematography

Mark Miller

DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
Camera set:
v Часов 12 снимали под дождем без единой палатки под Плейбек и технику
Около 5 переходов по огромной локации один из которых через мостик, фундаменты и лужу по щиколотку

1st AC/Focus-puller/Ronin: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental & Me

ARRI Alexa Mini
Vantage Hawk V-lite (1.33)
DJI Ronin 2

Vadim Nezrim
DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
Camera set:
1 prep day. The filming shift lasted about 21 hours. It was filmed in a virtual production studio and in the current electric depot of the metro. Among the features: anamorphic optics were placed vertically, while maintaining the horizontal orientation of the camera itself. 2 hours is the break between the end of the shift and the start of the preparatory day for a new project.

2nd AC: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental

ARRI Alexa Mini LF
Vantage One4

director of photography. cinematography
1st Assistant camera. Focus-puller
Mark Miller
DOP
Sergei Isavnin
1st AC/Focus-puller
v Часов 12 снимали под дождем без единой палатки под Плейбек и технику
Около 5 переходов по огромной локации один из которых через мостик, фундаменты и лужу по щиколотку
Camera set:
BTS. Backstage music video

1st AC/Focus-puller/Ronin: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental & Me
ARRI Alexa Mini
Cooke 5/i
RONIN 2
director of photography. cinematography
Egor Petrov
DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
24-hour shift, day was repainted for night, shooting on the water, the whole shift was shot on RONIN, shots in the forest were shot using ronin on a crane arrow and 360 dolly
Camera set:
BTS. Backstage music video

1st AC: Nikita Shevtsov

Cam Equip: ACT Rental, CLF Rental & Me

ARRI Alexa 35
LOMO Anamorphic
Cooke s4

director of photography. cinematography

Misha Shishebarov

DOP
Focus-puller
Misha Levenecz
Focus-puller
Saint-Petersburg.
4 days, 2 shooting days, 2 sets of optics
Camera set:
BTS. Backstage Music video

1st AC/Focus-puller: Nikita Shevtsov

Cam Equip: KIRILLIN Camera Rental & Me

ARRI Alexa Mini
ARRI Master Prime
iPhone 17 pro

director of photography. cinematography
Vadim Nezrim
DOP
second assistant camera. DIT
Egor Isaev
2nd AC/DIT
The shooting day is 21 hours, 4 locations...
Shots from the pool were shot on an iPhone in an aquabox, playback was displayed on all monitors on the set
Underwater dolly
Camera set:
BTS. Backstage music video